NAPPY HEAD CLUB

TISCH SCHOOL OF THE ARTS COMMERCIAL

FASHION DIRECTION:

BLUE WAVERLY

  • Leather Moto or Denim Cropped jacket
  • Plaid or Printed Pleated Skirt
  • Ruffle Socks
  • Samba sneakers or a low top platform dress shoe/loafer

Always Black, Never Sorry TEE

Nappy Bucket Hat

  • Trainer sneakers
  • Basic, quality long or sleeve shirt
  • Puffer vest
  • Shoe: Timbs (buttas), Clarks, or Vans
  • Pants: Chocolate corduroy, Brown Carhart/Dickie, or a statement pant

In creme

Good Hair Scarf

  • UO Alexa Layered Skirt Cargo Pant SKU #85466332 Or Alternative CARGO PANT
  • LAYERED TEXTURED TOP OVER BLACK HOODIE
  • ROUND TOE BOOT
  • HARDWARE JEWLERY

Always Black, Never Sorry CREWNECK

  • Graphic tote (or Nappy Tote)
  • Track pants, or velour sweatpants
  • Neutral Sneaker

VIDEO TREATMENT

always enough

Dir by naa adei

nappy head club spec commercial

i love being Black

Everytime I see somebody rockin some NAPPY HEAD CLUB apparel on the street, my mood is instantly boosted because I finally. feel. seen. I cherish those moments, however fleeting they may be, because I’m able to experience that rare euphoria that happens when person goes from being a distant stranger, to becoming someone who I am now in community with simply because of our shared love and expression of Blackness.


And, that kind of impact, the kind of impact that NAPPY HEAD CLUB has, is important to me. This is more than an online apparel brand. This is a celebration of the pride that we should feel about Blackness, all while still being authentic and fashionable.


I truly respect how NAPPY HEAD CLUB uplifts members of the Black community, all with consciously curated slogans that unite us to a power higher than ourselves. So, I am eager to make a commercial that will not only be a representation of what this brand embodies, but will also serve as an affirmation to the many Black millennials who need to be reminded of their greatness, and celebrated daily.


I want this commercial to be a vibrant reminder that

WE ARE ALWAYS ENOUGH.

approach

Healing Your Inner Child from the wounds of anti-Blackness

Anti-Blackness is real. And it leaves damaging effects on your mental health and psyche. But that messaging is not a representation of who we are. So the visuals in this spec will counter that.


I want to capture the beauty of Everyday Blackness in this 60 second spec commercial. Simply by highlighting the levity and freedom that comes with Black Joy in New York City!

approach

A narrated voiceover will be a poetic exploration of the anti-Black messages that we’ve been fed constantly in America.

But, the visuals, of three young Black millennials enjoying a carefree day in New York City, will be in direct contrast to that messaging. Their actions and activities throughout the city will all be tied together by the central theme of doing nostalgic activities that heal your inner child.


Ultimately, this contrast, between the harsh VO and the spirited visuals, will build to a rallying cry that reminds us that

we are always enough.

look & feel

ethereal fun

empowering rebellious

We’ll film in all exterior locations throughout New York City, letting the spaces feel like they are authentic, present, and nice to embrace. We will rely on natural sunlight and a colored photography backdrop to compliment the character’s skintones.


The camera will be a curious observer. The characters will interact with each other as if the camera isn’t there. But they will also break the 4th wall and speak directly to camera to emphasize key points of narration.

look & feel

captured on

35 mm film

The grainy texture of 35mm will accentuate the contrast between the cityscape and the characters!


Greens look great on film, so that will be the primary color, but yellows, blues, and purples will round out the palette.


We will transition from regular speed to slow motion in a natural way. Subtle light flares will leak onto the image, which will heighten the look.

wardrobe

Statement piece jackets

and colorful outerwear

The NAPPY HEAD CLUB apparel will always serve as a nice accent to the outfit, and stick out in the frame in a bold and vibrant way.

as seen on the brand website

casting

Three Friends - Black - 24-37

will roam the city together


Four Background Extras - Black - 21+


Three Children - Black - 12+

will represent their younger selves

the story

QueensBridge Park - Friends Race on Bikes

We open on a wide shot of a beautiful grassy area in Queensbridge Park in Long Island City, with a bridge to Manhattan in the background


Tight shot on bicycle wheels as they roll down the pavement

Medium tracking shot of two friends, LANCE (Black Male), NIA(Black Female), on a bike, and one friend, RYAN (Black Female) on a scooter riding down this same path


As the friends pass the bridge, the camera stays and lingers on the Manhattan skyline


Emphasize the NAPPY HEAD CLUB arm sleeves and the details on the sweatshirts

VOICEOVER

Somewhere along the way

someone made you feel less than


Like you AREN’T the magic that occurs

when the sun and the Earth make love


Or LIKE the stars don’t align from a higher power to be in your favor

LIKE you aren’t divine


They made you feel like you

Aren’t good enough


SCRIPT

QueensBridge Park- Last One Up


Overhead shot of their three heads together in a circle as they lay on the ground, exhausted after playing.


Their eyes/faces are covered with different apparel.


They count to three, but Nia cheats and gets up first, while Lance and Ryan chase her


Emphasize the NAPPY HEAD CLUB bucket hat and scarves

VOICEOVER


Like you Aren’t special enough


Or you aren’t God’s gift to this precious Earth


SCRIPT

Brick Wall - Susan Smith McKinney Park

A red brick wall. NYC cityscape with large buildings in the back


In a medium close up, one of the friends blows a large bubble into the city scape.


They strut down the wall like it’s a fashion show, and take pictures into the camera.


Then another. And another. She looks directly to camera,

smiling, and changing her face for the moment.


Lance makes a camera with his hands. He snaps fake pics Nia

stands next to him and they both cheer on her newfound sense

of confidence.


Lance, Nia, and Ryan all take their turn at modeling. The three hit a pose and take a real selfie.


Nia kisses bubbles that float into the sky.

The trio rides in the lanes of a small track along on bikes and scooters and off towards the buildings, their hands touching the sky.


VOICEOVER


But, who said that?

Who said you don’t belong?

Who made you believe that you weren’t supposed to be here?


Who told you that you can’t. just. BE?

SCRIPT

Track - Star Spangled Banner Park


The camera ends on a backdrop of the Brooklyn Community Arts & Media High School. On the exterior wall of the school, there is a colorful and an inspiring Jean Michel Basquiat quote “I don’t think about art when I’m working. I think about life.”


Close up shots of the quote and the colors throughout the school


Extreme close ups, but single shots of each adult character saying to camera ‘Who Told me that I can’t just be?’


Emphasize the NAPPY HEAD CLUB t shirts

SCRIPT

Murals - Bed Stuy


A mural of four Black woman rests against a wall. Their

piercing eyes cut into your soul when you look at it.

Lance, Nia, and Ryan stand with his back to the mural and

addresses the camera.

ADULT CHARACTERS to camera separately:

Who told me that I can’t just be?

SCRIPT

Fort Greene Park - Steps


An endless row of concrete steps work their way up to a tall

obelisk that pierces into the sky.


Trees with leaves caught between the freedom of Summer, yet

still gasping for the calmness of a quiet Fall sit stilly.


Nia, Lance, and Ryan sit looking into camera.


VOICEOVER


Because, ME, I’m here

And THIS is MY reminder to you,


SCRIPT

Fort Greene Park - Playground


The bars of a brown jungle gym explode onto the frame.

Ryan and Nia’s feet run past the bars, charging down a slide

onto the playground.


Lance traipses across a low hanging swinging bridge. They

walk across steady and calculated like he’s an explorer.


The three run over to the monkey bars, and swing across.

Their adult hands grip one bar, then the next.


They climb through again and again, with just the bars, their

hands, and the clouds in frame. Their hands past by, gripping

one bar, and then the next, and the next, until...



ADULT CHARACTERS TO CAMERA, SEPARATELY:

This is my reminder to you

That you are always enough


CHILD CHARACTERS TO CAMERA, SEPARATELY:

you are enough

Forever. And always.


SCRIPT

SCRIPT

Fort Greene Park Playground - Continuous


YOUNG NIA (Black, Early Teens) hands grab the bar, feeling

like her hands are about to reach the clouds. As Young Nia’s

hands move out, YOUNG RYAN’s (Black, Early Teens) climb into

frame, and then YOUNG LANCE’S (Black, Early Teens).


The three kids swing from the start to the end of the bars.

They have NAPPY HEAD CLUB apparel on their heads.


Each character, individually looks to camera and smiles.


to camera

all characters in single shots:

at my best or at my worst,

i am always enough


super:

you are always enough


super:

Nappy Head Club


voiceover:

Nappy Head Club is more than a lifestyle brand. We’re a community of people here to celebrate Blackness authentically.


Shop with us today.


super:

Nappyheadclub.com


childlike elements

childlike elements

locations

Queensbridge Park, LIC

Williamsburg

Bed-Stuy

Fort Greene


We will film in three locations

Each of which were historically Black,

but now have a changing population due to

Gentrification.


The goal is to show that

Black people can and should continue to enjoy life in a changing city.

We still belong here.

modeling at susan mckinney

riding round in

QUEENSBORO BRIDGE PARK

LONG ISLAND CITY

selfies at the

STAR SPANGLED BANNER PARK

in BEd stuy

black murals

in BED STUY

swingin

in fort greene

music

always enough playlist

light & airy

orchestral elements

feels like teenage fever




Naa Adei Mante is an aspiring Writer-Director currently based in New York City. Originally born to Ghanaian immigrants in Washington, DC, she leverages her multi-layered ethnicity to create bold stories that explore those internal, unspoken, and even unpleasant emotions that Black people, but primarily Black women, struggle with in a post-colonial era.


She is currently a thesis student pursuing a M.F.A. in Film at New York University’s (NYU) Tisch School of the Arts (TSOA), and is a TSOA Hollywood Foreign Press Association Scholarship Awardee. Her film, Plan C, was one of four inaugural recipients of the USC Annenberg Reproductive Rights Accelerator Award. She short films have been official selections at several festivals throughout the US, including the Athena Film Festival, Baltimore International Black Festival, and the San Francisco Black FIlm Festival.


Prior to attending NYU, Naa Adei received her B.S. in Electrical Engineering from The University of Southern California (USC). She was one of twenty initial recipients of the Mork Family Scholarship. Upon graduating, Naa Adei worked as a technical analyst for the Federal Government, and then became a technical specialist at the United States Department of State.


In her spare time, Naa Adei loves to explore the world and uses her travel experiences and exposure to dozens of cultures to motivate her storytelling. She has visited over forty five countries to date!


Naa Adei Mante

nah aday

For anyone who has ever been told they weren’t good enough.

We see you, and we celebrate you

-Nappy head club

thank you

Thank you for the opportunity to collaborate with your brand and pitch this concept to you.


I really respect Nappy Head Club, and I hope that we can make something impactful together.

link to full commercial: